Glen Powell tries his best as a desperate serial killer in this update of Kind Hearts and Coronets, but it’s a mere pretender to the original’s throne Remaking Robert Hamer’s 1949 British classic Kind Hearts and Coronets – the greatest Ealing Studios comedy and, in my own fevered opinion, the greatest film of all time – needs the chutzpah of Cecilia Giménez, the amateur Spanish artist who “restored” a painting of Christ and left him looking like a gibbon. This remake isn’t actually quite as gibbony as it could have been. But as with the Coen Brothers’ uneasy version of Ealing’s The Ladykillers, or indeed Todd Phillips’ heavy-handed remake of Hamer’s School for Scoundrels, the question is: why do it at all, especially when the new American setting means losing the all-important element of class-consciousness and class shame?The original starred Dennis Price as Louis, an Edwardian draper’s assistant who is distant heir to a dukedom, and who is living in genteel poverty because his late m...